Charlie Bowman - Later Career

Later Career

After leaving the Blue Ridge Ramblers, Bowman formed his own string band, the Blue Ridge Music Makers, and played on various radio stations throughout the Southeastern United States. In the 1940s, Bowman traveled west, sometimes as far as California, playing at different venues and with various makeshift bands and line-ups. He played in 20 different states before he finally gave up performing in 1957.

In the early 1960s, at the height of the folk revival movement in the United States, Bowman was interviewed by several magazines and music collectors, including Dorsey Dixon and Pete Seeger. His recollections of the Johnson City sessions, his years with the Hill Billies, and numerous other memories provided an invaluable first-hand account of the development of Old-time music and country music in the 1920s and 1930s. Bowman died on May 20, 1962.

Bowman wrote and adapted dozens of songs and fiddle tunes throughout his career. His most well-known include railroad songs such as "Nine Pound Hammer," "Roll On, Buddy," and "Fogless Bill." "Reece Rag" was written for his friend, Congressman B. Carroll Reece. Often, Bowman's performances involved musical skits, such as with "Moonshiner and His Money." Bowman's repertoire of traditional songs included "Forked Deer" and "Turkey in the Straw."

Read more about this topic:  Charlie Bowman

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)