Charles Nelson Reilly - Career

Career

Reilly made his film debut in 1957, playing an uncredited role in A Face in the Crowd, directed by Elia Kazan. Most of his work during this period was on the stage. Reilly appeared in many Off Broadway productions. His big theatrical break came in 1960 with the enormously successful original Broadway production of Bye Bye Birdie. In the ground-breaking musical, Reilly had a small onstage part, and was the standby for Dick Van Dyke in the leading role of Albert Peterson. In 1961, Reilly was in the original cast of another big Broadway hit, the Pulitzer prize-winning musical How to Succeed in Business Without Really Trying. For his memorable origination of the role of Bud Frump, Reilly earned a 1962 Tony Award for featured actor in a musical. In 1964, Reilly was featured in the original cast of yet another giant Broadway success, Hello, Dolly! For originating the role of Cornelius Hackl, Reilly received a second nomination for a Tony Award for performance by an actor in a featured role in a musical.

While he kept active in Broadway shows, Reilly would soon become better known for his TV work. Reilly appeared regularly on television in the 1960s. For example, he appeared both as one of the What's My Line? Mystery Guests and as a panelist on the popular Sunday night CBS-TV program. In 1965, he made regular appearances on The Steve Lawrence Show, which aired for a single season. From 1968 to 1970, he appeared as uptight Claymore Gregg on the television series The Ghost & Mrs. Muir, which also starred Hope Lange and Edward Mulhare. In one episode, Reilly was reunited with his Hello, Dolly! original Broadway castmate Eileen Brennan.

In 1971, he appeared as the evil magician Hoodoo in Lidsville, a psychedelically flavored live-action children's program produced by Sid and Marty Krofft that aired on Saturday mornings on ABC. The show was about a boy who falls into a magician's hat and enters a magical world of hat-humans. It is through these roles, as well as his playing the titular role in Uncle Croc's Block and appearing once on Walt Disney's The Mouse Factory, that Reilly's voice and mannerisms became familiar to a generation of young fans. From the 1960s to 1970s, Reilly also appeared as a regular on The Dean Martin Show, and had multiple guest appearances on television series including McMillan & Wife; Here's Lucy; Rowan & Martin's Laugh-In; The Love Boat; and Love, American Style. Television commercials he made throughout the 1960s and 1970s included Excedrin and Bic Banana Ink Crayons, in which he wore a banana costume.

He was also a frequent guest on The Tonight Show Starring Johnny Carson, appearing more than one hundred times. Because Reilly was such a lively and reliable talk-show guest and lived within blocks of the Burbank studios where The Tonight Show was taped, he was often asked to be a last-minute replacement for scheduled guests who did not make it to the studio in time. During this time, Reilly was perhaps best known as a fixture of game shows, primarily due to his appearances as a regular panelist on the television game show Match Game. Reilly was one of the longest-running guests, and often engaged in petty, hilarious arguments with fellow regular Brett Somers (the two generally sat next to each other on the show, Somers in the upper middle seat and Reilly in the upper right-hand seat). Reilly typically offered sardonic commentary and peppered his answers with homosexually themed double entendres that pushed the boundaries of 1970s television standards. During the filming of Match Game 74 Reilly left Match Game for NYC, for a short time, to film the made-for-TV movie Hamburger (1974) also starring Sid Caesar and Charlie Callas.

From 1975 to 1976, Reilly starred in another live-action children's program called Uncle Croc's Block with Jonathan Harris. Reilly was often a guest celebrity in the 1984 game show Body Language, including one week with Lucille Ball and another week with Audrey Landers.

From 1976, Reilly was primarily active teaching acting and directing for television and theater. In 1976 he directed Julie Harris portraying Emily Dickinson in her one-woman Broadway play The Belle of Amherst by William Luce. In 1979, he directed Ira Levin's play Break a Leg on Broadway. Despite the previous year's success of Levin's Deathtrap, Break a Leg closed after one performance.

Reilly directed episodes of Evening Shade in 1990 and earned a 1997 Tony Award nomination as Best Director of a Play for the revival of The Gin Game starring Julie Harris, opposite whom he had acted in Skyscraper in 1965-66. Reilly was a longtime teacher of acting at HB Studio, the acting studio founded by Herbert Berghof and made famous by Berghof and his wife, the renowned stage actress Uta Hagen. Reilly's acting students included Lily Tomlin, Bette Midler, and Gary Burghoff.

In the 1990s, Reilly made guest appearances on The Drew Carey Show, The Larry Sanders Show, Family Matters, Second Noah, and as eccentric writer Jose Chung in the television series The X-Files ("Jose Chung's From Outer Space"), Millennium ("Jose Chung's Doomsday Defense") and occasionally as the voice of "The Dirty Bubble" in the animated series SpongeBob SquarePants before he was replaced by Tom Kenny. Reilly was nominated for Emmy Awards in 1998 and 1999 for his performances in The Drew Carey Show and Millennium, respectively.

Read more about this topic:  Charles Nelson Reilly

Famous quotes containing the word career:

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)