Plays (as Playwright)
- Big Hotel (1967)
- Conquest of the Universe, or When Queens Collide (1968)
- Turds in Hell, an adaptation of The Satyricon (1969)
- The Grand Tarot (1969)
- Bluebeard, an adaptation of H. G. Wells's The Island of Dr Moreau (1970)
- Eunuchs of the Forbidden City (1971)
- Corn (1972)
- Camille (1973)
- Hot Ice (1974)
- Stage Blood, an adaptation of Hamlet (1975)
- Tabu Tableaux (1975)
- Caprice (1976)
- Jack and the Beanstalk
- Der Ring Gott Farblonjet, an adaptation of The Ring Cycle
- The Ventriloquist's Wife
- Utopia, Incorporated
- The Enchanted Pig
- Elephant Woman
- A Christmas Carol
- Reverse Psychology (1980)
- Love's Tangled Web (1981)
- Secret Lives of the Sexists
- Exquisite Torture
- Le Bourgeois Avant-Garde, an adaptation of Molière's Le Bourgeois Gentilhomme
- The Mystery of Irma Vep (1984)
- Salammbo (1985), an adaptation of Flaubert's novel of the same name
- Galas (1983), inspired by the life of Maria Callas
- The Artificial Jungle (1986]
- How to Write a Play
Read more about this topic: Charles Ludlam
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“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)