Charles Goddard Weld - Museum of Fine Arts Contributions

Museum of Fine Arts Contributions

Weld is well known for his purchase and donation of the collection of Ernest Fenollosa for the Museum of Fine Arts, Boston. The museum is now home to one of the finest and largest collections of Japanese art outside Japan, numbering over 100,000 objects.

In 1886, Weld attempted to sail around the world in his personal yacht. However, while moored in Yokohama, the yacht caught fire and was destroyed. As a result, Weld spent an extended amount of time with his Bostonian friends William Sturgis Bigelow and Ernest Fenollosa. The pair had already been in Japan for some time themselves, exploring the country and collecting art.

The Fenollosa-Weld Collection contains many of the most famous pieces in the Museum of Fine Arts' collection. Among them is a handscroll painting (emaki) depicting the 1159 Night Attack on the Sanjō Palace. Others are famous pieces by Sesshū, Kanō Eitoku, and Kanō Hōgai.

While Fenollosa and Bigelow developed very widespread and inclusive tastes in art during their time in Japan, Weld's interests remained somewhat narrowly focused. His primary interests in life were sport, boating, and martial activities such as archery. As a result, he became one of the first Americans to collect Japanese swords, spears, and other martial implements as art. In addition to full swords, Weld purchased many sword ornaments, handguards (tsuba), and other sword fittings such as kozuka, tiny blades tied to a swordhilt and used by the samurai for basic utilitarian tasks.

In 1911, the collections of Ernest Fenollosa and Charles G. Weld, much of it already physically in the Museum of Fine Arts, on loan indefinitely, became the property of the Museum, as the Fenollosa-Weld Collection.

Read more about this topic:  Charles Goddard Weld

Famous quotes containing the words museum of, museum, fine and/or arts:

    A Museum of fetishes would give special attention to the history of underwear.
    Mason Cooley (b. 1927)

    I have no connections here; only gusty collisions,
    rootless seedlings forced into bloom, that collapse.
    ...
    I am the Visiting Poet: a real unicorn,
    a wind-up plush dodo, a wax museum of the Movement.
    People want to push the buttons and see me glow.
    Marge Piercy (b. 1936)

    Lars Jorgensen: It’s this country killed my boy. Yes, by golly, I tell you Ethan—
    Mrs. Jorgensen: Now Lars. It just so happens we be Texicans. A Texican is nothing but a human man way out on a limb, this year, and next, maybe for a hundred more. But I don’t think it’ll be forever. Someday this country’s going to be a fine good place to be. Maybe it needs our bones in the ground before that time can come.
    Frank S. Nugent (1908–1965)

    When tillage begins, other arts follow. The farmers, therefore, are the founders of human civilization.
    Daniel Webster (1782–1852)