In Outdoor Monuments of Manhattan: A Historical Guide, Dianne Durante describes the sculpture:
The Bull's head is lowered, its nostrils flare, and its wickedly long, sharp horns are ready to gore; it's an angry, dangerous beast. The muscular body twists to one side, and the tail is curved like a lash: the Bull is also energetic and in motion.
The bronze color and hard, metallic texture of the sculpture's surface emphasises the brute force of the creature. The work was designed and placed so that viewers could walk around it, which also suggests the creature's own movement is unrestricted — a point reinforced by the twisting posture of the bull's body, according to Durante.
Charging Bull, then, shows an aggressive or even belligerent force on the move, but unpredictably. t's not far-fetched to say the theme is the energy, strength, and unpredictability of the stock market."
"That bull is one of an edition of five", Di Modica told the New York Daily News in 1998. "I'm hoping the other four will be going to cities all over the world, whenever somebody buys them." In 2010, a similar Charging Bull sculpted by Di Modica which looks "younger" and "stronger" was installed in Shanghai, and in 2012 one was placed on Het Beursplein in Amsterdam.
Read more about Charging Bull: Construction and Installation, Ownership, As A Tourist Attraction, In Popular Culture
Famous quotes containing the words charging and/or bull:
“Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle,
All through the meadows the horses and cattle;”
—Robert Louis Stevenson (18501894)
“Not glad, lifeless tycoon, nor sorry feel
For neither Bull nor Bear attends your way....”
—Allen Tate (18991979)