Characters In The Novels Of The Company
Dr. Zeus Inc., also known simply as the Company, is a fictional entity in a series of time travel science fiction stories by Kage Baker. Most of the characters in the novels are immortal cyborgs created by Company operatives throughout history and recruited to work on preserving art, artifacts, rare species and other valuable items which the Company can sell for huge profits in the 24th century. The cyborgs look forward to receiving their final reward when they reach the 24th century by living through all the preceding times, but some suspect that when they do, they will instead be deactivated, or worse.
The immortality process, taking place as it does in early childhood, results in an individual who matures into a young adult and remains that way forever. "Facilitators" resort to makeup and prosthetics in order to appear to be older for their roles, but others appear as they always have. The Botanist Mendoza, for instance, appears to be approximately 19 years old despite having lived for thousands of years during her life and exile in the distant past. Joseph is described as "seeming to be about 35" (The Graveyard Game), indicating that Facilitators may have their "natural" ages set higher for their roles.
Read more about Characters In The Novels Of The Company: Preservers, Facilitators and Security Techs, Executives, Enforcers, Acquisition Dates, Adonai/Nicholas/Edward/Alec, The New Inklings, Defectives, William Randolph Hearst, Villains ?, Artificial Intelligences, Cabals and Conspiracies, Mortals, Rogues, Homo Umbratilis, The Great Goat Cult
Famous quotes containing the words characters in, characters, novels and/or company:
“Of the other characters in the book there is, likewise, little to say. The most endearing one is obviously the old Captain Maksim Maksimich, stolid, gruff, naively poetical, matter-of- fact, simple-hearted, and completely neurotic.”
—Vladimir Nabokov (1899–1977)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“More company increases happiness, but does not lighten or diminish misery.”
—Thomas Traherne (1636–1674)