Plot
On December 8, 1980, Mark David Chapman shocked the world by murdering 40-year old musician and activist, John Lennon, outside The Dakota, his New York apartment building. Chapman's motives were fabricated from pure delusion, fueled by an obsession with the fictional character Holden Caulfield and his similar misadventures in J.D. Salinger's The Catcher in the Rye. In one instant, an anonymous, 25-year old, socially awkward and mentally unstable fan of The Beatles, who had fluctuated between idealizing Lennon and being overcome with a desire to kill him, altered the course of history.
A man whose painfully restless mind thrashes about uncontrollably between paranoia, sociopathic lying and delusion is summed up in such character revealing comments as "I'm too vulnerable for a world full of pain and lies" and "Everyone is cracked and broken. You have to find something to fix you. To give you what you need. To make you whole again."
From his lies to cab drivers (identifying himself as The Beatles' sound engineer) to his socially unacceptable behavior around Jude, a young fan he meets outside The Dakota, to his argument with paparazzi photographer Paul, Chapman keeps the psychoses bubbling below the surface as his grasp on reality deteriorates into a completely misguided rage.
Read more about this topic: Chapter 27
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)