Chantal Mouffe - Work

Work

Chantal Mouffe studied at Louvain, Paris and Essex and has worked in many universities throughout the world (in Europe, North America and Latin America). She has also held visiting positions at Harvard, Cornell, Princeton and the CNRS (Paris). During the 1989-1995 period she served as Programme Director at the College International de Philosophie in Paris. She currently holds a professorship at the Department of Politics and International Relations, University of Westminster in the United Kingdom, where she directs the Centre for the Study of Democracy.

She is best known for her contribution to the development – jointly with Ernesto Laclau, with whom she co-authored Hegemony and Socialist Strategy - of the so-called Essex School of discourse analysis, a type of post-marxist political inquiry drawing on Gramsci, post-structuralism and theories of identity, and redefining Left politics in terms of radical democracy.

A prominent critic of ‘deliberative democracy’, (especially in its Rawlsian and Habermasian versions) she also known for her critical use of the work of Carl Schmitt, mainly the concept of ‘the political’, in proposing a radicalization of modern democracy – what she calls ‘agonistic pluralism’. She has recently developed an interest in highlighting the radical potential of artistic practices.

Read more about this topic:  Chantal Mouffe

Famous quotes containing the word work:

    Every work of art should give utterance, or indicate, the awful blind strength and the cruelty of the creative impulse, that is why they must all have what are called errors, both of taste and style.
    Christina Stead (1902–1983)

    Poets that lasting Marble seek
    Must carve in Latine or in Greek,
    We write in Sand, our Language grows,
    And like the Tide our work o’erflows.
    Edmund Waller (1606–1687)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)