Change Ringing - Change Ringing in Literature and Television

Change Ringing in Literature and Television

The mystery novel The Nine Tailors by Dorothy L. Sayers (1934) contains a great deal of information on change-ringing. Her fictional detective, Lord Peter Wimsey, demonstrates his skill at ringing, and the solution to the central puzzle of the book rests in part upon his knowledge of the patterns of change ringing.

Connie Willis, who frequently and overtly references Sayers in To Say Nothing of the Dog (1997), features bell ringers in her earlier novel Doomsday Book (1992); a group of American women led by a Mrs. Taylor frequently appears practising for or ringing both handbells and changes.

The British television series Midsomer Murders aired an episode in the fifth season on a series of murders within a bell-ringing team, in Ring Out Your Dead.

In the science-fiction novel Anathem by Neal Stephenson (2008) changes are rung in a cloistered monastery for mathematicians to signal different ceremonies.

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Famous quotes containing the words change, ringing, literature and/or television:

    My formula for greatness in human beings is amor fati: that one wants to change nothing, neither forwards, nor backwards, nor in all eternity. Not merely to endure necessity, still less to hide it—all idealism is mendacity in the face of necessity—but rather to love it.
    Friedrich Nietzsche (1844–1900)

    Much have I seen and known—cities of men
    And manners, climates, councils, governments,
    Myself not least, but honored of them all—
    And drunk delight of battle with my peers,
    Far on the ringing plains of windy Troy.
    I am a part of all that I have met;
    Alfred Tennyson (1809–1892)

    It is the nature of the artist to mind excessively what is said about him. Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.
    Virginia Woolf (1882–1941)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)