Change Ringing in Literature and Television
The mystery novel The Nine Tailors by Dorothy L. Sayers (1934) contains a great deal of information on change-ringing. Her fictional detective, Lord Peter Wimsey, demonstrates his skill at ringing, and the solution to the central puzzle of the book rests in part upon his knowledge of the patterns of change ringing.
Connie Willis, who frequently and overtly references Sayers in To Say Nothing of the Dog (1997), features bell ringers in her earlier novel Doomsday Book (1992); a group of American women led by a Mrs. Taylor frequently appears practising for or ringing both handbells and changes.
The British television series Midsomer Murders aired an episode in the fifth season on a series of murders within a bell-ringing team, in Ring Out Your Dead.
In the science-fiction novel Anathem by Neal Stephenson (2008) changes are rung in a cloistered monastery for mathematicians to signal different ceremonies.
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Famous quotes containing the words change, ringing, literature and/or television:
“It is easier to move rivers and mountains than to change a person’s basic nature.”
—Chinese proverb.
“When we reached the lake, about half past eight in the evening, it was still steadily raining, and harder than before; and, in that fresh, cool atmosphere, the hylodes were peeping and the toads ringing about the lake universally, as in the spring with us. It was as if the season had revolved backward two or three months, or I had arrived at the abode of perpetual spring.”
—Henry David Thoreau (1817–1862)
“How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.”
—Ernest Hemingway (1899–1961)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)