Musical Style and Output
Dupree's playing was almost all straight blues and boogie-woogie. He was not a sophisticated musician or singer, but he had a wry and clever way with words: "Mama, move your false teeth, papa wanna scratch your gums." He sometimes sang as if he had a cleft palate and even recorded under the name Harelip Jack Dupree. This was an artistic conceit, as Dupree had excellent, clear articulation, particularly for a blues singer. Dupree would occasionally indulge in a vocalese style of sung word play, similar to Slim Gaillard's "Vout", as in his "Mr. Dupree Blues" included on The Complete Blue Horizon Sessions album.
He sang about life, jail, drinking and drug addiction; although he himself was a light drinker and did not use other drugs. His "Junker's Blues" was also transmogrified by Fats Domino into his first hit, "The Fat Man". Dupree's songs included not only gloomy topics, such as "TB Blues" and "Angola Blues" (about Angola Prison, the infamous Louisiana prison farm), but also cheerful subjects like the "Dupree Shake Dance": "Come on, mama, on your hands and knees, do that shake dance as you please".
On his best known album, Blues from the Gutter for Atlantic, in 1959 he was accompanied on guitar by Larry Dale, whose playing on that record inspired Brian Jones of The Rolling Stones. Dupree was also noted as a raconteur and transformed many of his stories into songs. "Big Leg Emma's" takes its place in the roots of rap music as the rhymed tale of a police raid on a barrelhouse. In later years he recorded with John Mayall, Mick Taylor, Eric Clapton and The Band.
Although Jerry Lee Lewis did not record Dupree's "Shake Baby Shake", the lyrics in his version of "Whole Lotta Shakin' Goin' On" - "You can shake it one time for me!" - echo Dupree's song.
Although best known as a singer and pianist in the New Orleans style, Dupree occasionally pursued more musically adventurous projects, including Dupree `n` McPhee, a collaboration with English guitarist Tony McPhee, recorded for Blue Horizon Records.
Read more about this topic: Champion Jack Dupree
Famous quotes containing the words musical, style and/or output:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“Lizzie Borden took an axe
And gave her mother forty whacks;
When she saw what she had done,
She gave her father forty-one.”
—Anonymous. Late 19th century ballad.
The quatrain refers to the famous case of Lizzie Borden, tried for the murder of her father and stepmother on Aug. 4, 1892, in Fall River, Massachusetts. Though she was found innocent, there were many who contested the verdict, occasioning a prodigious output of articles and books, including, most recently, Frank Spiering’s Lizzie (1985)