Art
A kinetic sculpture (Circle of Light, 1980) by Liliane Lijn hangs from the ceiling of Midsummer Arcade. The mechanism has not operated for many years. It was originally floodlit at night and is on the axis of the midsummer sun on which Midsummer Boulevard is accurately orientated.
Silbury Arcade contains three bronze figures (Dream Flight, Flying Carpet and High Flyer, 1989) by Philomena Davidson Davis, former president of the Royal British Society of Sculptors. Nearby, in Deer Walk, a mosaic pavement (c. AD 320) from Bancroft Roman Villa is on display. These works were previously sited in Queen's Court.
Before being redeveloped, Queen's Court also contained:
- a sundial and associated bollards (Bollards, 1979) by Tim Minett
Oak Court contains:
- a stainless steel sculpture (Acorns and Leaves, 2000) by Tim Ward
- the Concrete Cows (1978) by Liz Leyh
The Midsummer Place building contains:
- a bronze seat (Sitting on History, 1996) by Bill Woodrow
- a stained-glass window (2000) by Anne Smyth
- an animated clock with a frog that blows bubbles (2000), conceived by Kit Williams, and similar to the clock at Telford Shopping Centre.
In 1981, the building and its surrounding vicinity were used for the filming of the music video Wired for Sound by Cliff Richard. Filming took place at the eastern end of Midsummer Arcade (the distinctive tiling outside the John Lewis department being clearly visible), outside Norfolk House and in nearby underpasses. The building was also used as a location for still photography on the first self-titled album by Duran Duran.
Read more about this topic: Central Milton Keynes Shopping Centre
Famous quotes containing the word art:
“Blind mouths! that scarce themselves know how to hold
A sheephook, or have learn’d ought else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped.
And when they list their lean and flashy songs
Grate on their scrannel pipes of wretched straw,
The hungry sheep look up, and are not fed,”
—John Milton (1608–1674)
“But the nature of our civilized minds is so detached from the senses, even in the vulgar, by abstractions corresponding to all the abstract terms our languages abound in, and so refined by the art of writing, and as it were spiritualized by the use of numbers, because even the vulgar know how to count and reckon, that it is naturally beyond our power to form the vast image of this mistress called “Sympathetic Nature.””
—Giambattista Vico (1688–1744)
“Poetry is a very complex art.... It is an art of pure sound bound in through an art of arbitrary and conventional symbols.”
—Ezra Pound (1885–1972)