Central Bank of Iran - Money and Credit Council

Money and Credit Council

See also: Government of Iran

The Money and Credit Council (MCC) is the highest banking policy-making body of Bank Markazi. Its permanent members include the CBI Governor, the Finance and Economy Minister, two Ministers chosen by the Cabinet, The Head of the Chamber of Commerce, the General Prosecutor and two lawmakers (MPs).

Each year, after approval of the government’s annual budget, the CBI presents a detailed monetary and credit policy to the MCC for approval. Thereafter, major elements of these policies are incorporated in the five-year economic development plan.

The Iranian Central Bank needs more independence from the government in order to combat inflation, according to the country’s Parliament Research Center. As of 2010, Iran’s Central Bank, is not able to conduct a “proactive” monetary policy and has no control over the government’s fiscal policy.

Read more about this topic:  Central Bank Of Iran

Famous quotes containing the words money and, money, credit and/or council:

    Money and time are the heaviest burdens of life, and ... the unhappiest of all mortals are those who have more of either than they know how to use.
    Samuel Johnson (1709–1784)

    I am unbalanced but I am not mad with snow.
    I am mad the way young girls are mad,
    with an offering, an offering . . .
    I burn the way money burns.
    Anne Sexton (1928–1974)

    Taft, laughing, “What troubles [brother] Charles is, he is afraid Roosevelt will get the credit of making me President and not himself.” To Charles: “I will agree not to minimize the part you played in making me President if you will agree not to minimize the part Roosevelt played.”
    William Howard Taft (1857–1930)

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)