Central Asian People in Indian Classical Literature
There are extensive references to people of Central Asia in Indian literature like Atharvaveda, Vamsa Brahmana of Samveda, Aitareya Brahmana, Satapatha Brahmana, Puranas, Manusmiriti, Ramayana, Mahabharata, Raghuvamsa, Brihat-Katha -Manjari, Katha-Saritsagara, Rajaratrangini, Mudra-rakshasa, Kavymimansa and host of other old Sanskrit literature. A brief outline is given below:
Read more about this topic: Central Asians In Ancient Indian Literature
Famous quotes containing the words central, asian, people, indian, classical and/or literature:
“In inner-party politics, these methods lead, as we shall yet see, to this: the party organization substitutes itself for the party, the central committee substitutes itself for the organization, and, finally, a “dictator” substitutes himself for the central committee.”
—Leon Trotsky (1879–1940)
“Morals are in all countries the result of legislation and government; they are not African or Asian or European: they are good or bad.”
—Denis Diderot (1713–1784)
“...I have not found that the people who cling to the letter are always the people who cling to the spirit of the law.”
—Katharine Fullerton Gerould (1879–1944)
“Ha ha! ha ha! This world doth pass
Most merrily I’ll be sworn,
For many an honest Indian ass
Goes for a unicorn.”
—Unknown. Fara Diddle Dyno (l. 1–4)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)