Center For Art and Media Karlsruhe

Center For Art And Media Karlsruhe

Founded in 1989, the ZKM | Center for Art and Media Karlsruhe is a cultural institution which, since 1997, has been located in a historical industrial building in Karlsruhe, Germany that formerly housed a munitions factory. The ZKM organizes special exhibitions and thematic events, carries out research projects, produces works in the field of New Media and offers public as well as individualized communications and educational programs.

The ZKM houses under one roof two museums, three research institutes as well as a media center; in this way it groups research and production, exhibitions and events, archives and collections. It works on the interface of art and science, and takes up cutting-edge insights in media technologies with the objective of developing them further. Since the death of founding director Heinrich Klotz (1935-1999), the ZKM has been directed by Prof. Peter Weibel. In addition to the ZKM, the associated Karlsruhe University of Arts and Design, as well as the Städtische Galerie Karlsruhe are likewise housed in the former munitions factory.

Read more about Center For Art And Media Karlsruhe:  History, The Basic Idea, The ZKM, Exhibitions and Events, Research and Production, Archives and Collections, Publications

Famous quotes containing the words center, art and/or media:

    Actually being married seemed so crowded with unspoken rules and odd secrets and unfathomable responsibilities that it had no more occurred to her to imagine being married herself than it had to imagine driving a motorcycle or having a job. She had, however, thought about being a bride, which had more to do with being the center of attention and looking inexplicably, temporarily beautiful than it did with sharing a double bed with someone with hairy legs and a drawer full of boxer shorts.
    Anna Quindlen (b. 1952)

    To define it rudely but not inaptly, engineering ... is the art of doing that well with one dollar, which any bungler can do with two after a fashion.
    Arthur Mellen Wellington (1847–1895)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)