Celia Imrie - Theatre

Theatre

  • 1976 – The Adventures of Alice
  • 1976 – Sherlock Holmes
  • 1976 – Now Here's A Funny Thing
  • 1977 – The Boyfriend
  • 1977 – Love's Labour's Lost
  • 1977 – Henry V
  • 1978 – 'Tis Pity She's a Whore
  • 1978 – Macbeth
  • 1978 – Cabaret
  • 1978 – As You Like It
  • 1979 – Pygmalion
  • 1979 – The Good Humoured Ladies
  • 1980 – Seduced
  • 1981 – A Waste of Time
  • 1981 – Heaven and Hell
  • 1982 – The Screens
  • 1982 – Philosophy of the Boudoir
  • 1982 – Puss In Boots
  • 1982 – Puntila and Matti, Master and Servant
  • 1983 – Sirocco
  • 1983 – The Merchant of Venice
  • 1983 – Custom of the Country
  • 1983 – Arms and the Man
  • 1983 – Webster
  • 1984 – When I Was A Girl I Used To Scream and Shout
  • 1984 – The Merchant of Venice
  • 1984 – Alfie
  • 1985 – The Philanthropist
  • 1985 – Particular Friendships
  • 1986 – Last Waltz
  • 1987 – Yerma
  • 1987 – School For Wives
  • 1988 – The Madwoman of Chaillot
  • 1988 – Doctor Angelus
  • 1990 – No one Sees The Video
  • 1990 – Hangover Square
  • 1990 – In Pursuit of The English
  • 1991 – The Sea
  • 1995 – The Hothouse
  • 1996 – Habeas Corpus
  • 1997 – Dona Rosita The Spinster
  • 1998 – The School for Scandal
  • 2003 – Unsuspecting Susan
  • 2003 – The Way of The World
  • 2005 – Unsuspecting Susan
  • 2005 – Acorn Antiques The Musical!
  • 2006 – Singular Women
  • 2009 – Mixed Up North
  • 2009 – Plague Over England
  • 2010 – The Rivals
  • 2010 – Polar Bears
  • 2010 – Hay Fever
  • 2011 – Drama at Inish
  • 2011 - An Audience with Celia Imrie - Joined by Fidelis Morgan at the Glasgow Citizens Theatre
  • 2011/2012 – Noises Off

Imrie appeared as a guest on Desert Island Discs on Radio 4 on 13 February 2011.

Read more about this topic:  Celia Imrie

Famous quotes containing the word theatre:

    “Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
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    “Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
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    “The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
    —David Hare (b. 1947)