Celia Imrie - Theatre

Theatre

  • 1976 – The Adventures of Alice
  • 1976 – Sherlock Holmes
  • 1976 – Now Here's A Funny Thing
  • 1977 – The Boyfriend
  • 1977 – Love's Labour's Lost
  • 1977 – Henry V
  • 1978 – 'Tis Pity She's a Whore
  • 1978 – Macbeth
  • 1978 – Cabaret
  • 1978 – As You Like It
  • 1979 – Pygmalion
  • 1979 – The Good Humoured Ladies
  • 1980 – Seduced
  • 1981 – A Waste of Time
  • 1981 – Heaven and Hell
  • 1982 – The Screens
  • 1982 – Philosophy of the Boudoir
  • 1982 – Puss In Boots
  • 1982 – Puntila and Matti, Master and Servant
  • 1983 – Sirocco
  • 1983 – The Merchant of Venice
  • 1983 – Custom of the Country
  • 1983 – Arms and the Man
  • 1983 – Webster
  • 1984 – When I Was A Girl I Used To Scream and Shout
  • 1984 – The Merchant of Venice
  • 1984 – Alfie
  • 1985 – The Philanthropist
  • 1985 – Particular Friendships
  • 1986 – Last Waltz
  • 1987 – Yerma
  • 1987 – School For Wives
  • 1988 – The Madwoman of Chaillot
  • 1988 – Doctor Angelus
  • 1990 – No one Sees The Video
  • 1990 – Hangover Square
  • 1990 – In Pursuit of The English
  • 1991 – The Sea
  • 1995 – The Hothouse
  • 1996 – Habeas Corpus
  • 1997 – Dona Rosita The Spinster
  • 1998 – The School for Scandal
  • 2003 – Unsuspecting Susan
  • 2003 – The Way of The World
  • 2005 – Unsuspecting Susan
  • 2005 – Acorn Antiques The Musical!
  • 2006 – Singular Women
  • 2009 – Mixed Up North
  • 2009 – Plague Over England
  • 2010 – The Rivals
  • 2010 – Polar Bears
  • 2010 – Hay Fever
  • 2011 – Drama at Inish
  • 2011 - An Audience with Celia Imrie - Joined by Fidelis Morgan at the Glasgow Citizens Theatre
  • 2011/2012 – Noises Off

Imrie appeared as a guest on Desert Island Discs on Radio 4 on 13 February 2011.

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Famous quotes containing the word theatre:

    “The theatre is supremely fitted to say: “Behold! These things are.” Yet most dramatists employ it to say: “This moral truth can be learned from beholding this action.””
    —Thornton Wilder (1897–1975)

    “The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
    —David Hare (b. 1947)

    “To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
    —Eleonora Duse (1859–1924)