Cecil Balmond - Life and Work

Life and Work

Ove Arup & Partners

Balmond was deputy chairman at Arup. The AGU at Arup brought together architects, mathematicians, programmers, artists, musicians and scientists. It investigated structural systems, delving to the roof of order and patterns and engaging with music, algorithms, and malignant cellular structure to create abstract concepts that inspired tectonic forms.Under Balmond's artistic direction at the AGU, Balmond worked on some of the world's most famous structures including the Centre Pompidou-Metz with Shigeru Ban and CCTV tower with Rem Koolhaas.

Serpentine Gallery

Balmond has also been a creative force behind London’s Serpentine Pavilion programme. The Ito-Balmond Serpentine Pavilion, 2002 was crafted in glass and white-painted aluminium and featured a scatter of lines, the product of an algorithm designed by Balmond. The pavilion is now located at a luxury hotel in South of France. Balmond also designed pavilions with Daniel Libeskind (2001), Alvaro Siza and Eduardo Souto de Moura (2006) and Rem Koolhaas (2006).

Balmond Studio

Balmond set up his own studio and workshop in London 2010. Balmond’s own designs are numerous and include Weave Bridge, a bridge for University of Pennsylvania (2010), the Pedro e Inês footbridge in Coimbra (2006) and a $400m mixed use development in Asia.

The Orbit

The ArcelorMittal Orbit is designed by Balmond and Anish Kapoor. It is a 120m high sculpture designed for the 2012 Olympics in Stratford, London. Balmond also collaborated with Kapoor on Marsyas a sculpture which was displayed in the Turbine Hall of Tate Modern (2002), and also co-designed the giant Tees Valley art installations with Kapoor. Other key works by Balmond include a radical masterplan for Battersea Power Station (2006) and the Victoria & Albert Museum extension with Daniel Libeskind (1996).

Read more about this topic:  Cecil Balmond

Famous quotes containing the words life and, life and/or work:

    The wind sprang up at four o’clock
    The wind sprang up and broke the bells
    Swinging between life and death
    —T.S. (Thomas Stearns)

    Unable to create a meaningful life for itself, the personality takes its own revenge: from the lower depths comes a regressive form of spontaneity: raw animality forms a counterpoise to the meaningless stimuli and the vicarious life to which the ordinary man is conditioned. Getting spiritual nourishment from this chaos of events, sensations, and devious interpretations is the equivalent of trying to pick through a garbage pile for food.
    Lewis Mumford (1895–1990)

    There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.
    Harold C. Goddard (1878–1950)