Late 19th Century
In 1880 a Spanish zarzuela was performed in Cebu by members of Compania de Navarro, a visiting troupe from Manila. The prompter of the Compania, Eduardo Lopez, stayed in Cebu and became an important personality in the local theater. Other theater personalities at this time include Sabas Veloso, Sebastian Lingatong and Balbino Abadia.
In 1894 a Spanish play entitled El Alcalde Interino was held during the feast of St. John the Baptist. Lopez, Veloso, Lingatong, Maximo Abadia, Leoncio Avila, and Simplicia Alcantara (a singer of the Compania) were included in the performers. The guest during this performance was the governor of Cebu at that time, Gen. Inocencio Junquera. He was impressed by the performance but realized that a bigger space than the convent of Parian Church (where the play was held) was required. This led to his construction of the Teatro Junquera (see Junquera's article for more information).
Outside Cebu, Cebuano theater was liveliest in the town of Valladolid (now Carcar), where a local form of the theater, called linambay became popular. Some of the more popular linambays were Gonzalo de Cordoba, Doce Pares, and Orondates.
Read more about this topic: Cebuano Theater
Famous quotes by late 19th century:
“Lizzie Borden took an axe
And gave her mother forty whacks;
When she saw what she had done,
She gave her father forty-one.”
—Anonymous. Late 19th century ballad.
The quatrain refers to the famous case of Lizzie Borden, tried for the murder of her father and stepmother on Aug. 4, 1892, in Fall River, Massachusetts. Though she was found innocent, there were many who contested the verdict, occasioning a prodigious output of articles and books, including, most recently, Frank Spiering’s Lizzie (1985)