Cazadero Performing Arts Camp (also known as Cazadero Music Camp, or Cazadero) is a performing arts camp located in the Sonoma redwoods in Northern California, United States. Established in 1957 by then Berkeley High School band director Bob Lutt (who eventually was made executive director of the Berkeley Symphony), the first campers were a mixture of Berkeley High teens and members of the San Francisco Symphony.
Since 1957, the camp has become a significant influence in every facet of San Francisco Bay Area music, including the San Francisco Symphony, the orchestras for the San Francisco Opera and the San Francisco Ballet, and Tower of Power, an Oakland, California 10-member horn-based soul band formed in 1968. Caz faculty were the first to conceive of a professional baroque chamber orchestra composed entirely of period instruments, resulting in the 1981 creation of the Philharmonia Baroque Orchestra by harpsichordist Laurette Goldberg. The camp, which sits atop the late 19th century location of the then-infamous Bohemian Grove, maintains a signature suspension bridge over which more than 100,000 young musicians have crossed.
Campers also enjoy 'downtime activities' like swimming, ping pong, basketball, guided hikes and more.
Famous quotes containing the words performing, arts and/or camp:
“And no one, it seemed, had had the presence of mind
To initiate proceedings or stop the wheel
From the number it was backing away from as it stopped:
It was performing prettily; the puncture stayed unseen....”
—John Ashbery (b. 1927)
“Poetry, and Picture, are Arts of a like nature; and both are busie about imitation. It was excellently said of Plutarch, Poetry was a speaking Picture, and Picture a mute Poesie. For they both invent, faine, and devise many things, and accommodate all they invent to the use, and service of nature. Yet of the two, the Pen is more noble, than the Pencill. For that can speake to the Understanding; the other, but to the Sense.”
—Ben Jonson (1573–1637)
“The triumphs of peace have been in some proximity to war. Whilst the hand was still familiar with the sword-hilt, whilst the habits of the camp were still visible in the port and complexion of the gentleman, his intellectual power culminated; the compression and tension of these stern conditions is a training for the finest and softest arts, and can rarely be compensated in tranquil times, except by some analogous vigor drawn from occupations as hardy as war.”
—Ralph Waldo Emerson (1803–1882)