Cats Don't Dance - Production

Production

The film was launched in 1993 as a vehicle for Michael Jackson, who would produce, star, and be a consultant in the music and choreography. It would have been a hybrid live-action/CGI film. The film was ultimately made without Jackson's involvement.

Production started in 1994. Originally, the film was supposse to star the Looney Tunes and the evil Darla Dimple would try to kill them. Mark Dindal later changed a few things. He removed the Looney Tunes cast due to them being in another film called Space Jam. Darla was still evil, but Dindal added her "sweet" side. Also, removed was an alligator from the new cast whose name was supposed to be Al the Alligator. Dindal thought the cast was too large, so he removed Al from the movie; however, he can still be seen both in the film and on the poster at the bottom-middle. Also changed, during the final battle scene on the roof with Max and Danny, it was originally going to have Max die but was later changed to an ending where he is flown away instead.

Read more about this topic:  Cats Don't Dance

Famous quotes containing the word production:

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.
    François, Duc De La Rochefoucauld (1613–1680)