Art
Despite the looting and plundering, the Cathedral of Magdeburg is rich in art, ranging from antiques to modern art. The following list is not complete and only a summary of the most significant pieces. The list is roughly sorted by the time of creation.
- Antique pillars made from marble, porphyry, and granite are used in the apse, originating from buildings in Ravenna, transported to Magdeburg for the construction of the first building in 937
- The Baptismal font made of rose porphyry from a site near Assuan, Egypt. Originally designed as a fountain with a hole in the center, the item may be thousands of years old, and is still used for baptism today.
- The Grave of Otto I, Holy Roman Emperor from 973. During an exhumation in 1844 it was found that the grave contains a skeleton and some remains of clothes, but all offerings have been looted, presumably during the thirty year war. The Latin bronze inscription is made similar to historic designs.
- The sculpture of Saint Maurice, created around 1250, is the first realistic depiction of an ethnic African in central European art, showing clearly the ethnic features as for example a broad nose. The figure is no longer complete.
- The sculpture of Saint Catherine, also around 1250, was created by the same artist as the sculpture of Maurice.
- The Royal Couple (Herrscherpaar) in the sixteen-sided chapel (also around 1250) bear very realistic and lifelike expressions. The identity of the couple is unknown, but they may represent Emperor Otto I and his wife Edith, or Jesus in heaven with his wife the holy church.
- The sculptures of the five wise and the five foolish virgins (see The ten virgins from the List of Bible stories), also around 1250. This is the most remarkable piece of art in the cathedral. The five wise virgins are prepared and bring oil to a wedding, whereas the five foolish virgins are unprepared and bring no oil. Hence they have to go find oil and subsequently arrive late and cannot join the wedding anymore. The unknown artist masterfully expresses the emotions in the faces and the body languages of the girls, showing a much more realistic expression than what was common in art around that time. All figures are different, and have ethnic Slavic features. The sculptures are outside of the north entrance to the transept.
- The seats in the choir from 1363 are masterfully carved and show the life of Jesus. The unknown master also created the seats in the choir in Bremen's Cathedral.
- The Magdeburger Ehrenmal by Ernst Barlach was ordered as a heroic war memorial, but due to his voluntary participation during World War I Barlach was against the war and showed the pain and suffering of the war instead. This created a great controversy, and the work was almost destroyed. The spot in front of this sculpture was also the starting point of the Monday demonstrations.
- The Lebensbaumkruzifix (literally: Tree of life cross) is a painted bronze sculpture from 1986 and expanded in 1988 that shows Jesus nailed to a tree instead of a cross. Jesus is attached to the tree only with his hands and feet, and is otherwise hanging freely. The sculpture was designed not only to be viewed from the front but from all sides. The tree is barren except for a small leaf of hope/life where the blood of Jesus drips on the tree. The artist, Prof. Jürgen Weber, wanted the sculpture to be the centerpiece near the altar, but the sculpture was placed on the south side of the transept against his wishes.
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Famous quotes containing the word art:
“Thou wast a pretty fellow when thou hadst no need to care for her frowning; now thou art an O without a figure. I am better than thou art now; I am a fool, thou art nothing.”
—William Shakespeare (15641616)
“Adultery is the vice of equivocation.
It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together youve made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colorsneutral gray.”
—Alexander Theroux (b. 1940)
“If I were of the trade, I should naturalize art as much as they artialize nature.”
—Michel de Montaigne (15331592)