Category 6: Day of Destruction - Production

Production

Executive producer Bob Sertner wanted the film to have higher-end special effects to mimic the quality of those seen in feature films. To do this, the film uses visual computer effects created by special effects company Area 51 FX, which created over 100 different shots using the digital modeling program LightWave 3D. During shooting, special effect supervisor Craig Weiss noted that the scenes with Randy Quaid were particularly difficult to capture on film due to his appearing in multiple scenes where his character was chased by twisters and surrounded by their destructive aftermaths. The actors also faced new challenges, as the film often replaced traditional green screen setup, where the special effects were added during editing, with live shots taken with the effects in place at the same time. Nancy McKeon, who was pregnant with her first child during production, filmed some of her scenes using a green screen. She found the experience to be fun, noting that it challenges actors to use their imaginations while performing. She also found it easy to play a television reporter due to her being a self-admitted "news junkie."

Unable to find wind machines powerful enough to mimic hurricane force winds, Sertner brought in a jet engine to aim at the actors and props during necessary scenes. Three dimensional storyboards, called animatics, were used to allow the filmmakers to see what a scene would look like before shooting, using a digital version of the actors. The various weather scenes blended together stock footage of real natural disasters with the computer-generated shots, with care taken to match up the details of the various scenes.

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Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
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