Castle Vale School and Specialist Performing Arts College

Castle Vale School and Specialist Performing Arts College is a secondary school located in Castle Vale, Birmingham, England. The school has been awarded specialist status as an Arts College.

The school opened in new premises in 1967. The buildings were completed and officially opened in 1969. It was built to serve the large new housing estate which was in the final stages of construction at this time, and now has Performing Arts specialist status.

At the time of its last OFSTED inspection in early-2007, there were a total of 876 students.

In 2012, NASUWT staff took strike action against management practices at the school. A one-day strike was held on March 7th, 2012 which stimulated action by the Local Authority to resolve the problems. However, further strikes were held as the School NASUWT representative was singled out by the Head for speaking to the media and another member was sent on gardening leave. In May, the Head resigned and the school started the procedure to become an academy.

The school has been subject to a furor regarding the new head teacher, Charlotte Blencowe, implementing "tinkle cards" permitting children to leave class a maximum of once per week to go to the toilet, a number of different hand signals to communicate in class and a strict policy over school uniform. Parents protested, and eggs were thrown at teachers.

The school suffered further uncertainty when AET arranged for Miss Blencowe to leave after only one term to move back to Yorkshire. Their reasons were contradictory, confusing and does not indicate particularly skillful or caring management. The school will be managed nominally by Mr Simon Turney and his team from another AET Academy (http://en.wikipedia.org/wiki/Belgrave_High_School) for at least one, possibly two, terms.

Now to be known as Greenwood Academy.

Famous quotes containing the words castle, vale, school, specialist, performing, arts and/or college:

    This castle hath a pleasant seat; the air
    Nimbly and sweetly recommends itself
    Unto our gentle senses.
    William Shakespeare (1564–1616)

    In the vale of restless mind
    I sought in mountain and in mead,
    Trusting a true love for to find.
    Unknown. Quia Amore Langueo (l. 1–3)

    It is not that the Englishman can’t feel—it is that he is afraid to feel. He has been taught at his public school that feeling is bad form. He must not express great joy or sorrow, or even open his mouth too wide when he talks—his pipe might fall out if he did.
    —E.M. (Edward Morgan)

    For what Harley Street specialist has time to understand the body, let alone the mind or both in combination, when he is a slave to thirteen thousand a year?
    Virginia Woolf (1882–1941)

    Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate,—and meantime it is only puss and her tail.
    Ralph Waldo Emerson (1803–1882)

    Poetry, and Picture, are Arts of a like nature; and both are busie about imitation. It was excellently said of Plutarch, Poetry was a speaking Picture, and Picture a mute Poesie. For they both invent, faine, and devise many things, and accommodate all they invent to the use, and service of nature. Yet of the two, the Pen is more noble, than the Pencill. For that can speake to the Understanding; the other, but to the Sense.
    Ben Jonson (1573–1637)

    When first the college rolls receive his name,
    The young enthusiast quilts his ease for fame;
    Through all his veins the fever of renown
    Burns from the strong contagion of the gown;
    Samuel Johnson (1709–1784)