Plot
Frustrated butcher Fred Ramsden (Windsor Davies) and his electrician mate Ernie Bragg (Jack Douglas) happily head off for a fishing trip while their respective wives Sylvia (Liz Fraser) and Vera (Patricia Franklin) look forward to their health farm holiday. Once at the caravan site of Major Leafe (Kenneth Connor), Fred starts making eyes at a couple of gorgeous campers, Carol (Sherrie Hewson) and Sandra (Carol Hawkins). However, Ernie incriminates himself by talking in his sleep! With their infidelities certain to be repeated in the marital bed after their holiday, Fred is despondent. Meanwhile, Professor Roland Crump (Kenneth Williams) has teamed up with Roman expert Anna Vooshka (Elke Sommer) in an archaeological dig on the caravan site. Arthur Upmore (Bernard Bresslaw) and his wife Linda (Patsy Rowlands) are saddled with her mother Daphne (Joan Sims) and her vulgar mynah bird. Arthur is caught in a compromising position with blonde babe Norma Baxter (Adrienne Posta) whose husband Joe (Ian Lavender) is lumbered with their giant wolfhound. After a few pints with the amused pub landlord (David Lodge), Fred and Ernie discover that the caravan site is riddled with holes. However, Daphne is only concerned with the discovery of her estranged husband, Henry Barnes (Peter Butterworth) living a downtrodden life as the camp's odd-job man,despite having won the Pools. Major Leafe is determined to give the place a boost and arranges an evening cabaret for the caraveners but a mix-up over the phone secures a stripper, Veronica (Jenny Cox), rather than the singer he wanted. With Carol and Sandra having hooked up with archaeology students, Bob (Brian Osborne) and Clive (Larry Dann) Fred and Ernie pick up Maureen (Diana Darvey) and Sally (Georgina Moon), a couple of beauties from the village. Some wet paint, the rain and their wives soon bring their planned night of passion to a halt!
Read more about this topic: Carry On Behind
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)