Artistic Life
The Berrys sold their house in Wiscasset following World War II. They bought a home in Rockport, Maine, as well as an old three-story brick building on Main Street (just a short walk from their home), which served as Berry's studio for the rest of his life. It was there, equipped with a 19th-Century printing press, that Berry perfected his printmaking skills, in the process of which he made use of wood engraving, woodcut and linoleum block.
Woodcut is a relief printing process in which carved raised shapes of wood are inked and then printed on paper. Berry would sometimes carve multiple wood blocks for a single print, each block being inked with a different color, such as a beige, blue, orange and so on. Realizing the great demand for some of his prints, he sometimes produced large editions, or returned to reprint the editions. Other works, in less demand, were never reprinted after the first run.
Berry's work is sometimes said to fall within three distinct periods: His early linocuts and oil paintings are experimental, and reflect the changing artistic trends of the early 1900s. In the era of the Depression, he turned to the more affordable medium of the woodblock, which eventually evolved into the iconic style of his wood engravings. Finally, around 1973, his interests shifted to Jay Hambidge's theory of dynamic symmetry, a system of proportion and natural design that promoted the use of geometry in artistic compositions.
In 1978, at age 90, Berry died in a Rockport hospital. He had led an active, fruitful life, and thereby left the people of Maine with a body of work “created with consummate skill and fidelity to their subjects” (Hammond).
Read more about this topic: Carroll Thayer Berry
Famous quotes containing the words artistic and/or life:
“Well then! Wagner was a revolutionaryhe fled the Germans.... As an artist one has no home in Europe outside Paris: the délicatesse in all five artistic senses that is presupposed by Wagners art, the fingers for nuances, the psychological morbidity are found only in Paris. Nowhere else is this passion in questions of form to be found, this seriousness in mise en scènewhich is Parisian seriousness par excellence.”
—Friedrich Nietzsche (18441900)
“I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relations; and suddenly you findat the age of fifty, saythat a whole new life has opened before you, filled with things you can think about, study, or read about.... It is as if a fresh sap of ideas and thoughts was rising in you.”
—Agatha Christie (18911976)