Carol Muske-Dukes - Published Works

Published Works

Poetry Collections

  • Sparrow: Poems. Random House, Inc.. 2004. ISBN 978-0-8129-6748-7. http://books.google.com/?id=8il6Fn6UjLEC&pg=PP5&dq=inauthor:Carol+inauthor:Muske.
  • Octave Above Thunder. Tandem Library. 1997. ISBN 978-1-4177-0418-7.
  • Red trousseau. Viking. 1993. ISBN 978-0-670-84508-8.
  • Applause. University of Pittsburgh Press. 1989. ISBN 978-0-8229-3613-8.
  • Wyndmere: poems. University of Pittsburgh Press. 1985. ISBN 978-0-8229-3503-2.
  • Skylight. Doubleday. 1981.
  • Camouflage: poems. University of Pittsburgh Press. 1975.

Collaborative Works

  • Rendezvous with light: A Collection of Poetry and Photographs: Carol Muske-Dukes and Robbie Kreinces (Figueroa Press, 2005)

Novels

  • Channeling Mark Twain. Random House, Inc.. 2008. ISBN 978-0-8129-6749-4. http://books.google.com/?id=NqIymOr8RS4C&pg=PP5&dq=inauthor:Carol+inauthor:Muske.
  • Life after death: a novel. Random House. 2001. ISBN 978-0-375-50515-7.
  • Saving St. Germ. Viking. 1993. ISBN 978-0-670-84047-2.
  • Dear Digby. Viking. 1989. ISBN 978-0-670-82506-6.

Essay Collections

  • Married to the Icepick Killer: a poet in Hollywood. Random House. 2002. ISBN 978-0-375-50711-3.
  • Women & Poetry: Truth, Autobiography, and the Shape of the Self (University of Michigan Press, 1997)

Anthologies

  • Michael Collier, Stanley Plumly, ed. (1999). "Oblique Muscle". Title The new Bread Loaf anthology of contemporary American poetry. UPNE. ISBN 978-0-87451-950-1. http://books.google.com/?id=5a5_Ii2R3qUC&pg=PA199&dq=Carol+Muske.
  • David Lehman, Robert Hass, ed. (2001). The Best American Poetry 2001. Scribner poetry. ISBN 978-0-7432-0383-8.
  • Billy Collins, ed. (2005). "Passport:A Manifesto". 180 more: extraordinary poems for every day. Random House, Inc.. ISBN 978-0-8129-7296-2. http://books.google.com/?id=LBD3cfm2_dcC&pg=PA52&dq=Carol+Muske.
  • David Walker, ed. (2006). American Alphabets: 25 Contemporary Poets. Oberlin College Press. ISBN 978-0-932440-28-0.

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
    Alexander Solzhenitsyn (b. 1918)