The College of Fine Arts at Carnegie Mellon University in Pittsburgh, Pennsylvania, USA oversees the Schools of Architecture, Art, Design, Drama, and Music; along with its associated centers, studios, and galleries.
The College of Fine Arts (CFA) has its roots in 1900, when the institution was first founded as Carnegie Technical Schools. The School of Fine and Applied Arts was one of the original four schools within Carnegie Technical Schools and later became the College of Fine Arts. Officially founded in 1905 as the first comprehensive arts learning institution in the United States, CFA has educated outstanding artists, architects, designers, theater artists and musicians who have made important contributions to culture in the United States and the world for almost a century.
The College of Fine Arts concentrates on the education of professionals in the arts in the broader context of Carnegie Mellon University. Beyond their education in their chosen field, through required and elective course work, students are involved with other disciplines within CFA and within the other colleges of the University. Further, the college’s location in the Oakland District of Pittsburgh with its unique density of cultural resources (The Carnegie Museum of Art, The Carnegie Museum of Natural History, The Carnegie Library, the University of Pittsburgh, Hillman Library, the Frick Fine Arts Building, and Phipps Botanical Conservatory,) places CFA at the center of a premier cultural environment.
CFA alumni have shaped the television, stage and film worlds; have created work collected in international museums; have composed for and are performing and conducting in major symphony orchestras, choruses and opera companies; have built notable buildings, designed building systems and architectural imaging systems; created significant innovations in graphic and industrial design; and are professors and deans in major arts institutions. These graduates have actively developed the innovations, inventions, techniques and information structures in their professional fields. They have also written, published and lectured extensively.
The educational and artistic life of the college is interwoven with a dense calendar of theatre performances, concert, exhibitions, film and media presentations and lectures by visiting artists, practitioners and scholars.
Notable alumni include Andy Warhol, Gabriel Macht, Jonathan Borofsky, Philip Pearlstein, Steven Bochco, James Cromwell, Holly Hunter, Rob Marshall, Ricky Ian Gordon, Stephen Schwartz, Zachary Quinto, Ryan McGinness, Judith Light, Patrick Wilson, Ted Danson, Keith Lockhart, Matt Bomer, and Josh Groban.
Famous quotes containing the words carnegie, mellon, college, fine and/or arts:
“We accept and welcome ... as conditions to which we must accommodate ourselves, great inequality of environment; the concentration of business, industrial and commercial, in the hands of a few; and the law of competition between these, as being not only beneficial, but essential for the future progress of the race.”
—Andrew Carnegie (1835–1919)
“There is no reason for any suggestion that Mr. Hughes would resign, nor is there any reason for the suggestion that Mr. Mellon would resign, if either of them did not get exactly what they wanted from Congress; and I am not going to resign because I don’t get what I want.”
—Calvin Coolidge (1872–1933)
“here
to this college on the hill above Harlem
I am the only colored student in my class.”
—Langston Hughes (1902–1967)
“The lakes are something which you are unprepared for; they lie up so high, exposed to the light, and the forest is diminished to a fine fringe on their edges, with here and there a blue mountain, like amethyst jewels set around some jewel of the first water,—so anterior, so superior, to all the changes that are to take place on their shores, even now civil and refined, and fair as they can ever be.”
—Henry David Thoreau (1817–1862)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)