Carl Franklin - Racial Ties and Film

Racial Ties and Film

Franklin supports the portrayal of African American history in films, and has been quoted as saying “I am interested in the universal values of the black experience.” However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage.

As a prominent African American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all.” Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin’s remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success.

Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly-regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University’s ‘’Black Film Center/Archive’’. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Read more about this topic:  Carl Franklin

Famous quotes containing the words racial, ties and/or film:

    I don’t think Dr. King helped racial harmony, I think he helped racial justice. What I profess to do is help the oppressed and if I cause a load of discomfort in the white community and the black community, that in my opinion means I’m being effective, because I’m not trying to make them comfortable. The job of an activist is to make people tense and cause social change.
    Al, Reverend Sharpton (b. 1954)

    The bond between a man and his profession is similar to that which ties him to his country; it is just as complex, often ambivalent, and in general it is understood completely only when it is broken: by exile or emigration in the case of one’s country, by retirement in the case of a trade or profession.
    Primo Levi (1919–1987)

    Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.
    Igor Stravinsky (1882–1971)