Care Bears - Development

Development

The Care Bears were initially created in 1981 by Those Characters From Cleveland (TCFC), the licensing division of American Greetings Corp. Jack Chojnacki, the co-president of TCFC, introduced the first Care Bear to six businessmen—three from AGC, and three from the toy company Kenner—in February 1981. On the employees' reaction to the toy, Chojnacki recalled in early 1985: "It had a high 'aaaaaah' factor."

Muriel Fahrion, the artist who helped create Strawberry Shortcake's look, was also among the franchise's first concept artists. Working with TCFC Creative VP Ralph Shaffer, Muriel designed the first six bears, creating the best-selling greeting card themes for their belly graphics. Susan Trentel, Muriel's sister and doll designer of Strawberry Shortcake, designed the Care Bears plush. Once out of the concept stage children's book illustrator Elena Kucharik became the primary artist for the Care Bears creating hundreds of full color illustrations for cards, books and a myriad of licensed products. TCFC's creative team of artists and writers worked to create numerous characters in the line, which was a joint development by Those Characters From Cleveland and MAD (Marketing and Design Service of the toy group of General Mills).

As they had done with Strawberry Shortcake, once titled "Project I", AGC called the Care Bears development "Project II" as they strove to make the character program secret until advertising was ready. At the start of the franchise, Care Bears was already established as its working title.

Read more about this topic:  Care Bears

Famous quotes containing the word development:

    John B. Watson, the most influential child-rearing expert [of the 1920s], warned that doting mothers could retard the development of children,... Demonstrations of affection were therefore limited. “If you must, kiss them once on the forehead when they say goodnight. Shake hands with them in the morning.”
    Sylvia Ann Hewitt (20th century)

    And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!”
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.
    Gail Sheehy (20th century)