Composition
For the composition of the flammable material used in a carcass, 18th century philosopher Christian Wolff prescribed 10 parts of pounded gunpowder, 2 of nitre, 1 of sulfur, and 1 of colophony; or 6 of gunpowder, 4 of nitre, 4 of sulfur, 1 of beaten glass, 0.5 of antimony 0.5 of camphor, 1 of sal armoniac, and 0.25 of common salt. For the shell, he started with two iron rings (others used plates), fitting one at one extreme, near the aperture at which the carcass was to be fired, and the other at the other. These he braced with cords drawn lengthwise; and across these, at right angles, laced other cords, making a knot at each intersection. Between the folds of the cords, he made holes, inserted copper tubes, and filled them half full of powder and lead bullets, packing it in with a tow. The internal shell's aperture was then plugged up, and it was immersed in a mixture of 4 parts of melted pitch, 20 of rosin, 1 of oil of turpentine, and as much ground gunpowder as was needed to reduce it to the consistency of a paste. After immersion, the shell was to be covered with tow, and immersed again, until it was the proper size for the mortar.
Carcass shells as used by the Royal Navy from the 18th to the 19th centuries were filled with a mixture of saltpeter, sulfur, rosin, sulfide of antimony, tallow and turpentine.
Read more about this topic: Carcass (projectile)
Famous quotes containing the word composition:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (17401795)
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (18741946)
“Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.”
—Walt Whitman (18191892)