Car Bomb (band) - Style

Style

Car Bomb's style is marked by a highly experimental and extremely aggressive approach to metal. The music and riffs follow a very discordant style; chords and scales are not of the conventional variety, and have an almost random playing feel (as demonstrated in 'Hypnotic Worm'). The band cite their style is influenced by Meshuggah, Dillinger Escape Plan, Autechre, Coalesce, The Locust, Naked City, Metallica, Pantera, Slayer, Frank Zappa, Aphex Twin, Squarepusher, Vinnie Colaiuta, Allan Holdsworth, and anything Dave Witte has played on.

Whether chopping a riff into pieces, reversing it, cutting it short, or messing with the tempo, Car Bomb’s unique style of progressive metal is the product of dissecting ideas and beating them to death. The result is equivalent to a jet engine propelling gravel into your skull. Car Bomb combines the polyrhythmic and mathematical madness of Meshuggah and Dillinger Escape Plan with the rage and energetic fury of Coalesce and Converge. Though their songs are musically challenging, Car Bomb refuses to dilute their ruthless execution. Their intent is to assault the listener in any and every way possible - compositionally, sonically, and lyrically.

Guitarist Greg Kubacki's playing style uses a lot of descending pick scrapes, artificial harmonics, and ascending Digitech Whammy pedal sweeps. These techniques are best demonstrated in 'Gum Under The Table'.

Read more about this topic:  Car Bomb (band)

Famous quotes containing the word style:

    The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
    Helen Hayes (1900–1993)

    I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.
    Thomas Jefferson (1743–1826)

    I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.
    Ernest Hemingway (1899–1961)