Culture
The Capitol Hill neighborhood is influenced by its proximity to the Colorado State Capitol, Downtown and its northern boundary, East Colfax Avenue.
Capitol Hill is one of the most cosmopolitan neighborhoods in Denver, well known as a haven for artists and bohemians. There are numerous restaurants, clubs, bars, stores, concert venues, and other cultural amenities in the community. East 13th Avenue is the center of Denver's punk community with the punk club Bender's, as well as various stores that cater to punks and hipsters. Colfax Avenue has a reputation for a wild nightlife with two concert venues (The Fillmore and the Ogden), and numerous late-night bars, coffeeshops, restaurants, stores and clubs on the street. During the day, lobbyists and politicians from the Colorado State Capitol can be seen making deals in the restaurants and bars of the neighborhood.
Capitol Hill is also known as a gay-friendly neighborhood and is sometimes categorized as a gay village. The annual PrideFest gay pride parade goes through the neighborhood.
Capitol Hill is next to two major Denver parks, Civic Center Park and Cheesman Park. Both of these are meeting centers for the community; they host many festivals, including the Capitol Hill United Neighborhoods-sponsored People's Fair in early June.
Capitol Hill has had a long bohemiam reputation with the Colburn Hotel on Grant Street being a one time residence of Jack Kerouac and Allen Ginsburg.
Read more about this topic: Capitol Hill (Denver)
Famous quotes containing the word culture:
“The first time many women hold their tiny babies, they are apt to feel as clumsy and incompetent as any man. The difference is that our culture tells them they’re not supposed to feel that way. Our culture assumes that they will quickly learn how to be a mother, and that assumption rubs off on most women—so they learn.”
—Pamela Patrick Novotny (20th century)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“The white dominant culture seemed to think that once the Indians were off the reservations, they’d eventually become like everybody else. But they aren’t like everybody else. When the Indianness is drummed out of them, they are turned into hopeless drunks on skid row.”
—Elizabeth Morris (b. c. 1933)