Capitol Hill Arts Center, also known by its acronym CHAC (pronounced "shack"), was a performing arts center located in the Capitol Hill neighborhood of Seattle, Washington. CHAC operated two performance spaces in the building, most widely known for its theatre.
The center was founded in 2002 by Matthew Kwatinetz. CHAC was acknowledged as producing some of the most exciting theatre in Seattle: from Bertolt Brecht's The Resistible Rise of Arturo Ui and Clifford Odets' Waiting for Lefty to the Pacific Northwest premiere of Dario Fo's Archangels Don't Play Pinball.
On the evening of Friday, March 24, 2006, CHAC was the venue of a zombie-themed rave called "Better Off Undead". Attendees of an afterparty after that rave were the victims of the Capitol Hill massacre. By nearly all accounts, CHAC itself had excellent security at the rave, and the only connection of the massacre to the rave was that the perpetrator and the victims attended the rave, and that one of the victims invited the perpetrator to the afterparty.
CHAC closed in 2007.
Famous quotes containing the words capitol, hill, arts and/or center:
“A woman with her two children was captured on the steps of the capitol building, whither she had fled for protection, and this, too, while the stars and stripes floated over it.”
—Jane Grey Swisshelm (1815–1884)
“The hill farmer ... always seems to make out somehow with his corn patch, his few vegetables, his rifle, and fishing rod. This self-contained economy creates in the hillman a comparative disinterest in the world’s affairs, along with a disdain of lowland ways. “I don’t go to question the good Lord in his wisdom,” runs the phrasing attributed to a typical mountaineer, “but I jest cain’t see why He put valleys in between the hills.””
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)
“I am the center of the world, but the control panel seems to be somewhere else.”
—Mason Cooley (b. 1927)