Cane (novel) - Structure

Structure

Toomer spent a great deal of time working on the structure of Cane. He said that the design was a circle. Aesthetically, Cane builds from simple to complex forms; regionally, it moves from the South to the North and then back to the South; and spiritually, it begins with “Bona and Paul,” grows through the Georgia narratives, and ends in “Harvest Song.” The first section focuses on southern folk culture; the second section focuses on urban life in Washington D.C.; and the third section is about the racial conflicts experienced by a black Northerner living in the South.

In his autobiography, Toomer wrote: “I realized with deep regret, that the spirituals, meeting ridicule, would be certain to die out. With Negroes also the trend was towards the small town and then towards the city—and industry and commerce and machines. The folk-spirit was walking in to die on the modern desert. That spirit was so beautiful. Its death was so tragic. Just this seemed to sum life for me. And this was the feeling I put into Cane. Cane was a swan-song. It was a song of an end.”

Read more about this topic:  Cane (novel)

Famous quotes containing the word structure:

    For the structure that we raise,
    Time is with materials filled;
    Our to-days and yesterdays
    Are the blocks with which we build.
    Henry Wadsworth Longfellow (1809–1882)

    The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.
    Friedrich Nietzsche (1844–1900)

    What is the most rigorous law of our being? Growth. No smallest atom of our moral, mental, or physical structure can stand still a year. It grows—it must grow; nothing can prevent it.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)