The Canadian Home Video Rating System (CHVRS) is a voluntary rating classification system applied to home video products such as VHS and DVDs. It is administered by the Canadian Motion Picture Distributors Association (CMPDA) and as such they appear on American home videos distributed in Canada and not genuine Canadian home videos. Ratings are "averaged" from those assigned by participating provincial film boards: Alberta, British Columbia, Manitoba, Maritimes (New Brunswick, Nova Scotia and Prince Edward Island), Ontario and Saskatchewan (whose ratings are determined by British Columbia) and applied by the distributor to home video packaging.
Read more about Canadian Home Video Rating System: Canadian Home Video Ratings System, Classifications, Information Pieces, Process
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“We’re definite in Nova Scotia—’bout things like ships ... and fish, the best in the world.”
—John Rhodes Sturdy, Canadian screenwriter. Richard Rossen. Joyce Cartwright (Ella Raines)
“To-day ... when material prosperity and well earned ease and luxury are assured facts from a national standpoint, woman’s work and woman’s influence are needed as never before; needed to bring a heart power into this money getting, dollar-worshipping civilization; needed to bring a moral force into the utilitarian motives and interests of the time; needed to stand for God and Home and Native Land versus gain and greed and grasping selfishness.”
—Anna Julia Cooper (1859–1964)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“An avant-garde man is like an enemy inside a city he is bent on destroying, against which he rebels; for like any system of government, an established form of expression is also a form of oppression. The avant-garde man is the opponent of an existing system.”
—Eugène Ionesco (b. 1912)