Camille Pissarro - Gallery

Gallery

  • Le chemin, c. 1864

  • Jallais Hill, Pontoise 1867, Metropolitan Museum of Art

  • The Woods at Marly, 1871, Thyssen-Bornemisza Museum

  • Old Chelsea Bridge, London 1871, Smith College Museum of Arts

  • The garden of Pontoise, 1875

  • The Côte des Bœufs at L’Hermitage, 1877

  • Washerwoman, Study, 1880

  • Conversation, c. 1881

  • The Harvest, 1882, Bridgestone Museum of Art, Tokyo

  • The Church at Eragny, 1884, Walters Art Museum

  • Children on a Farm, 1887

  • Haying at Eragny, 1889

  • The Boulevard Montmartre on a Winter Morning, 1897, Metropolitan Museum of Art

  • Boulevard Montmartre, 1897

  • Boulevard Montmartre la nuit, 1898

  • Avenue de l'Opera, Paris, 1898

  • View of Rouen, 1898, Honolulu Museum of Art

  • Morning, Winter Sunshine, Frost, the Pont-Neuf, the Seine, the Louvre, Soleil D'hiver Gella Blanc, c. 1901, Honolulu Museum of Art

  • Self-portrait, 1898

  • Hay Harvest at Éragny, 1901, National Gallery of Canada, Ottawa, Ontario

  • Self-portrait, 1903, Tate Gallery, London

Read more about this topic:  Camille Pissarro

Famous quotes containing the word gallery:

    It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.
    Anton Pavlovich Chekhov (1860–1904)

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)

    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
    Thomas Henry Huxley (1825–95)