History
The modern music history of Trinidad and Tobago reflects the ethnic groups which form the current culture—French, Spanish, British, the African and New World nations from which the African population derives, and subsequent immigration from Asia and India in the late nineteenth and early twentieth century. A creole culture was formed, combining elements of hundreds of African ethnic groups, native inhabitants of the islands, Indian indentured labourers, and British, French and Spanish colonizers. French planters and their slaves emigrated to Trinidad during the French Revolution (1789) from Martinique, including a number of West Africans, and French creoles from Saint Vincent, Grenada, and Dominica, establishing a local community before Trinidad and Tobago were taken from Spain by the British. Carnival had arrived with the French, and the slaves, who could not take part in Carnival, formed their own, parallel celebration called canboulay.
Stick fighting and African percussion music were banned in 1881, in response to the Canboulay Riots. They were replaced by bamboo sticks beaten together, which were themselves banned in turn. In 1937 they reappeared, transformed as an orchestra of frying pans, dustbin lids and oil drums. These steelpans or pans are now a major part of the Trinidadian music scene and are a popular section of the Canboulay music contests. In 1941, the United States Navy arrived on Trinidad, and the panmen, who were associated with lawlessness and violence, helped to popularize steel pan music among soldiers, which began its international popularization.
Read more about this topic: Calypso Music
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