Call and Response: The Riverside Anthology of The African American Literary Tradition

Call and Response: The Riverside Anthology of the African American Literary Tradition is a compilation of literary and cultural works that originated from call and response patterns in African and African American cultural traditions. The 1997 anthology includes works representing the centuries-long emergence of this distinctly Black literary and cultural aesthetic in fiction, poetry, drama, essays, sermons, speeches, criticism, journals, and song lyrics from spirituals to rap. Writings ranging from Queen Latifah to Phyllis Wheatley and LeRoi Jones are included within this volume.

The anthology, published by the Houghton Mifflin Company, organizes its selections around three themes: the pattern of call and response, the journey toward freedom, and major historical events in the African American experience. The anthology editors have woven together selections, critical analysis of the texts, historical background, and biographies into a scholarly, unified, and chronological approach to African American literature and culture. Dr. Patricia Liggins Hill of the University of San Francisco served as general editor of the anthology.

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    Literary tradition is full of lies about poverty—the jolly beggar, the poor but happy milkmaid, the wholesome diet of porridge, etc.
    Mason Cooley (b. 1927)

    Treason doth never prosper; what’s the reason?
    For if it prosper, none dare call it treason.
    Sir John Harington (1561–1612)

    Upset at the young wife’s
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    Hla Stavhana (c. 50 A.D.)

    I passed a tomb among green shades
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    —Unknown. The Thousand and One Nights.

    AWP. Anthology of World Poetry, An. Mark Van Doren, ed. (Rev. and enl. Ed., 1936)

    The confirmation of Clarence Thomas, one of the most conservative voices to be added to the [Supreme] Court in recent memory, carries a sobering message for the African- American community.... As he begins to make his mark upon the lives of African Americans, we must acknowledge that his successful nomination is due in no small measure to the support he received from black Americans.
    Kimberly Crenshaw (b. 1959)

    So we think of Marilyn who was every man’s love affair with America. Marilyn Monroe who was blonde and beautiful and had a sweet little rinky-dink of a voice and all the cleanliness of all the clean American backyards.
    Norman Mailer (b. 1923)

    Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise—nobody need read it, but anybody can do it.
    Marilyn Hacker (b. 1942)

    Tradition means giving votes to the most obscure of all classes—our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking around.
    Gilbert Keith Chesterton (1874–1936)