Production
Six of the eleven women who were pictured in the original calendar sold the rights to their stories. They were Angela Baker, Tricia Stewart, Beryl Bamforth, Lynda Logan, Christine Clancy, and Ros Fawcett. In addition to the calendars, they also posed for a postcard known as "Baker's Half Dozen."
Whereas the actual Calendar Girls were members of the Rylstone Women's Institute, much of the film was shot in and around the village of Kettlewell in North Yorkshire, some ten miles away. Additional locations include Buckden, Burnsall, Coniston, Ilkley, Settle, Linton, Malham, Skipton, Westminster and Ealing in London, and the beach in Santa Monica. The penultimate shot of Chris and Annie walking down a street was filmed in Turville. Interiors were filmed in the Shepperton Studios.
The pictures in the film-version calendar were taken by professional stills photographer Jaap Buitendijk.
The film's soundtrack includes "You Upset Me Baby" performed by B.B. King, "Sloop John B" by The Beach Boys, "The Way You Do the Things You Do" by The Temptations, and "Comin' Home Baby" by Roland Kirk and Quincy Jones.
The film premiered at the Locarno Film Festival. It was later shown at Filmfest Hamburg, the Dinard Festival of British Cinema in France, the Warsaw Film Festival, the Tokyo International Film Festival, and the UK Film Festival in Hong Kong.
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—Karl Marx (1818–1883)
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—Debbie Taylor (20th century)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)