Production
Six of the eleven women who were pictured in the original calendar sold the rights to their stories. They were Angela Baker, Tricia Stewart, Beryl Bamforth, Lynda Logan, Christine Clancy, and Ros Fawcett. In addition to the calendars, they also posed for a postcard known as "Baker's Half Dozen."
Whereas the actual Calendar Girls were members of the Rylstone Women's Institute, much of the film was shot in and around the village of Kettlewell in North Yorkshire, some ten miles away. Additional locations include Buckden, Burnsall, Coniston, Ilkley, Settle, Linton, Malham, Skipton, Westminster and Ealing in London, and the beach in Santa Monica. The penultimate shot of Chris and Annie walking down a street was filmed in Turville. Interiors were filmed in the Shepperton Studios.
The pictures in the film-version calendar were taken by professional stills photographer Jaap Buitendijk.
The film's soundtrack includes "You Upset Me Baby" performed by B.B. King, "Sloop John B" by The Beach Boys, "The Way You Do the Things You Do" by The Temptations, and "Comin' Home Baby" by Roland Kirk and Quincy Jones.
The film premiered at the Locarno Film Festival. It was later shown at Filmfest Hamburg, the Dinard Festival of British Cinema in France, the Warsaw Film Festival, the Tokyo International Film Festival, and the UK Film Festival in Hong Kong.
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Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)