Plot
When Annie Clarke's husband John dies from leukaemia at an early age, her close friend Chris Harper, anxious to purchase a comfortable sofa for the visitors lounge in the hospital where he was treated, hits upon the idea of printing a calendar featuring some of the members of the Knapely chapter of the Women's Institute discreetly posing nude while engaged in everyday activities, such as baking and knitting, in order to raise funds. Her proposal initially is met with great skepticism, but she eventually convinces ten women to participate in the project with her. They enlist one of the hospital workers, an amateur photographer named Lawrence, to help them with the concept.
The head of the local Women's Institute chapter refuses to sanction the calendar, and Chris and Annie go to a national congress of the Women's Institute in London to plead their case. They are told the final decision rests with the local leader, who grudgingly agrees to the calendar's sale. The initial printing quickly sells out, and before long the tiny village is bombarded with members of the international media anxious to report the feel-good story.
The women are invited to appear on The Tonight Show with Jay Leno in Los Angeles. While there, tensions arise between Chris and Annie. All the publicity surrounding the calendar has taken a toll on their personal lives, and they lash out at each other in angry frustration. Annie accuses Chris of ignoring her husband and son and the demands of the family business in favour of her newfound celebrity, while Chris believes Annie welcomes the Mother Teresa-like status to which she's been elevated that allows her to cater to the ill and bereaved who have bombarded her with fan mail. All is resolved eventually, and the women return home to resume life as it was before they removed their clothing.
Read more about this topic: Calendar Girls
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)