Film and Television Versions of The Play
Caesar and Cleopatra was the basis for a lavish 1945 motion picture starring Claude Rains and Vivien Leigh and produced by Gabriel Pascal. Shaw collaborated closely on this production. See Caesar and Cleopatra (1945 film).
After seeing part of the filming of the movie at Denham Studios in London, Shaw remarked, "What scope! What limitless possibilities!... Here you have the whole world to play with!"
There have also been two major television productions of the play. The first was in 1956, produced as part of the anthology series Producers' Showcase, on NBC. It starred Claire Bloom, Cedric Hardwicke, Farley Granger, Jack Hawkins and Judith Anderson. The second version, shown in 1976, was also telecast by NBC, and starred Geneviève Bujold, Alec Guinness, Clive Francis, Margaret Courtenay, and Iain Cuthbertson. It was telecast on the Hallmark Hall of Fame.
There has also been an audio adaptation of the play, produced on Caedmon Records, starring Max Adrian as "Caesar", Claire Bloom as "Cleopatra" and Judith Anderson as "Ftatateeta".
The 2008 Stratford Festival production starring Christopher Plummer in the role of Caesar, and Nikki M. James as Cleopatra was shown in very limited release in cinemas on January 31, 2009. It was subsequently shown on Bravo in Canada and released on a DVD, which is available from the Festival.
Read more about this topic: Caesar And Cleopatra (play)
Famous quotes containing the words film and, film, television, versions and/or play:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The average Hollywood film star’s ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.”
—Katharine Hepburn (b. 1909)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.”
—Stephen Bayley (b. 1951)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)