Jazz
In jazz a cadence is often referred to as a turnaround, chord progressions that lead back and resolve to the tonic. These include the ii-V-I turnaround and its variation the backdoor progression, though all turnarounds may be used at any point and not solely before the tonic.
Half-step cadences are "common in jazz" if not "cliché." For example, the ascending diminished seventh chord half-step cadence which, using a secondary diminished seventh chord, may be used to create momentum between two chords a major second apart (with the diminished seventh in between). The descending diminished seventh chord half-step cadence is assisted by two common tones.
Read more about this topic: Cadence (music)
Famous quotes containing the word jazz:
“There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
—Pat Metheny (b. 1954)
“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, “Give me the co-ordinates.”... The Major could see every unit in the Army using his idea.... Hot dog!”
—Norman Mailer (b. 1923)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)