Cabanes Du Breuil - Date of Building

Date of Building

According to the Cabanes du Breuil's Internet site (see External Links), "In the Middle Ages, the cabanes du Breuil were inhabited by the Benedictine monks of Sarlat", a proof of this being a sale deed of "1449, the earliest written trace testifying to their presence". However, the alleged deed remains unpublished and its whereabouts and content are unknown. Besides, Calpalmas is a different place from Le Breuil.

In the book "Les cabanes en pierre sèche du Périgord" (The Dry Stone Huts of Périgord) published in 2002 (see Bibliography), the author states that "Le Breuil was once a possession of the Benedictines in the Chapter of Sarlat Bishopric, but nowhere is there any mention that the stone huts we see today already existed." He adds: "Twenty years ago, the landlady used to boast that the stone huts had been built or entirely rebuilt by her grandfather, at the beginning of the 20th century."

Again, according to the Cabanes du Breuil's website, rural craftsmen - a blacksmith, a harness maker and a weaver - are said to have rented some of the huts in order to practise their craft (see www.cabanes-du-breuil.com/histoire.htm). But the hut allegedly used by a blacksmith contains none of the requisite paraphernalia for that trade, and it was endowed with a faux chimney piece in 1988. Besides, a postcard from the 1970s shows the same building being used as a sheepfold: a dozen sheep are seen leaving it under the guidance of the then farmer and his wife.

Read more about this topic:  Cabanes Du Breuil

Famous quotes containing the words date and/or building:

    Until I was twenty-five, I had no development at all. From my twenty-fifth year I date my life. Three weeks have scarcely passed, at any time between then and now, that I have not unfolded within myself. But I feel that I am now come to the inmost leaf of the bulb, and that shortly the flower must fall to the mould.
    Herman Melville (1819–1891)

    There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success.
    Raymond Chandler (1888–1959)