Plot
The back story of the ride revolves around the attempts of Evil Emperor Zurg (voiced by Andrew Stanton) to steal the "crystallic fusion cells" (i.e., batteries) used to power the space vehicles of the "Little Green Men." (voiced by Jeff Pidgeon) Participants are "Star Command" raw recruits sent to defeat Zurg. The queue area is awash in the chartreuse, white, and bright blue hues of Buzz Lightyear himself (voiced by Pat Fraley, who does voice for Buzz Lightyear Astro Blasters attraction). Since Buzz Lightyear is a toy, the attraction is cleverly scaled to give the illusion that one has just been reduced to the size of an action figure, featuring such detail as giant, exposed Philips screw heads and an explanation of the interactive phase of the ride that resembles a toy's instruction sheet, only on a gigantic scale. An Audio-Animatronic Buzz Lightyear figure and giant Etch-a-Sketch (Disneyland) and/or Viewmaster (Disney World) provide explanation of the "mission", which is to destroy Zurg's secret weapon with your blasters. While his body is audio-animatronic, Buzz's face is actually a screen with a projection of computer animation, allowing better lipsync and more expressive features, making him look like a more realistic representation of the character from the films.
Read more about this topic: Buzz Lightyear Attractions
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)