Production Details
Adapting the original novel, Preminger re-set the story from New York to London, where he liked working. His dark, sinister vision of London made use of many real locations; Barry Elder's Doll Museum in Hammersmith stood in for the dolls' hospital, the Little People's Garden School used a real school in Hampstead, and the 'Frogmore End' house that was one that had belonged to novelist Daphne du Maurier's father. Preminger had found the novel's denouement lacking in credibility so he changed the identity of the would-be murderer, which needed many re-writes from his British husband-and-wife scriptwriters John Mortimer and Penelope Mortimer before the famously demanding director was satisfied.
As with its thematic predecessor, Psycho, audiences were not admitted after the film's start, which was not common practice at the time. This was heavily emphasized in the film's promotion, including on the poster, which warned "No One Admitted While the Clock is Ticking!".
English rock band The Zombies are featured in the credits and on the film's poster for their contribution of three songs to the film's soundtrack: "Remember You", "Just Out of Reach" and "Nothing's Changed". The band is prominently featured performing on a television in the pub where Supt. Newhouse meets with Ann, and "Just Out of Reach" plays on a janitor's radio as Ann escapes from the hospital. In addition, and with Preminger present in the studio, the band recorded a two-minute radio ad set to the tune of "Just Out of Reach" that promoted the film's release and urged audiences to "Come on time!" in keeping with the film's no-late-admissions policy. These efforts represent an early instance of the now-common Hollywood practice of promotional tie-ins with popular musical acts.
Read more about this topic: Bunny Lake Is Missing
Famous quotes containing the words production and/or details:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“There was a time when the average reader read a novel simply for the moral he could get out of it, and however naïve that may have been, it was a good deal less naïve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.”
—Flannery O’Connor (1925–1964)