Bump of Chicken - Songs in Popular Culture

Songs in Popular Culture

Their single "Arue" is a song dedicated to the fictional character Rei Ayanami, from the Neon Genesis Evangelion series. The song is listed as R.A., the initials of the aforementioned character.

Their song "Sailing Day" is used at the end credits of the anime movie One Piece: Dead End Adventure. The same song is also featured in the Guitar Freaks and Drummania series of arcade games.

The songs "Tentai Kansoku", "K", "Sailing Day", "Karma" and "Mayday" were later used in the musical arcade game by Bemani in GuitarFreaks, DrumMania, Jubeat, Reflec Beat Limelight and Pop'n Music. "Tentai Kansoku" was also featured in Metcha! Taiko no Tatsujin DS: Nanatsu no Shima no Daibouken.

The song "Karma" from their "Supernova / Karma" single is the main theme for Namco's Tales of the Abyss video game. It also is used on the anime adaptation of the game as the opening theme.

It has been revealed that Doraemon‘s new movie (Doraemon New・Nobita and the Steel Troops~Spread Your Wings Angels~) to be released on March 5, will use BUMP OF CHICKEN‘s new song “Tomodachi no Uta” as a theme song. All 4 members have loved Doraemon for its unique and loving characters and story and have said that it is an honor to be chosen to sing for the new Doraemon movie.

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Famous quotes containing the words popular culture, songs, popular and/or culture:

    “The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
    —Carl Bernstein (b. 1944)

    “In her days every man shall eat in safety
    Under his own vine what he plants, and sing
    The merry songs of peace to all his neighbors.”
    —William Shakespeare (1564–1616)

    “The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
    —George Steiner (b. 1929)

    “... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.”
    —Katharine Fullerton Gerould (1879–1944)