Bulgarian Dances - Details On Bulgarian Dances

Details On Bulgarian Dances

Yove male mome and Sedi Donka can be thought of as a compound of common 7 (chetvorno) and 11 (kopanitsa) meters, but it is more unclear what Sandansko horo should be: possibilities are a compound 9+13, where 9 is the daychovo meter, and 13 the Krivo plovdivsko horo meter, or 9+9+4, where 9 is the daychovo meter. A ruchenitsa can, in slower tempo, have a distinctive 2+2+3 rhythm, but in a quicker pace, it may only be perceived as a 4+3. Thus, even though these are well known rhythmic patterns, one may not arrive at an unambiguous meter interpretation, the way listeners of Western music are used to.

Many of the dances are formed by each person holding the belt or sash of the dancer on either side. These belts are typically fit loosely around the waist so that each person can move easily within the belt, while the overall line can stay together. Although there are basic steps that make up the dance, certain people may improvise variations, sometimes forming a competition between the dancers. These variations must result in the same movement as the rest of the line, but may consist of additional or slightly different steps.

For example, the basic pajdushko horo dance consists of a series of four hop-steps (actually, lift-steps) to the right, followed by a series of four steps to the left where the right foot crosses in front of the left foot on the quick beat, then weight is transferred onto the right foot, which pushes the dancer to the left on the slow beat. Finally the line moves backwards using four hop-steps, and the dance is repeated. Variations might consist of alternating the right foot in front of and behind the left foot, forming a basic grapevine dance step. Another variation might be that instead of hop-steps backwards, a dancer might use a series of scissor steps and end with a pas-de-bas step.