Plains Indians Museum
The Plains Indians Museum features the stories and objects of Plains Indian people, their cultures, traditions, values and histories, as well as the contexts of their lives today. Since 1979, the Plains Indian Museum has been a leader in promoting public recognition of the importance of Plains Indian art due to its nationally significant collection. The majority of the collection is from the early reservation period, ca. 1880-1930, and relates primarily to Northern Plains tribes, such as the Arapaho, Lakota, Crow, Cheyenne, Blackfeet and Pawnee. The holdings also include important contemporary objects, ranging from abstract art to star quilts.
In September 2007, the Buffalo Bill Historical Center acquired the Paul Dyck Plains Indian Buffalo Culture Collection, recognized as the most historic and important privately held collection of Plains Indian artifacts, art work, and related materials in the world. The collection includes clothing, eagle feather bonnets, bear claw necklaces, buffalo hide tipis and tipi furnishings, shields, cradles, peace medals, and moccasins. It dates from the late 18th century to pre-1890s.
The Plains Indian Museum also sponsors the Plains Indian Museum Powwow held each year on the third weekend in June at the Robbie Powwow Garden at the BBHC, an event that attracts dancers and artisans from all over North America.
Read more about this topic: Buffalo Bill Historical Center
Famous quotes containing the words plains, indians and/or museum:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“Among the Indians he had fought;
And with him many tales he brought
Of pleasure and of fear;
Such tales as told to any Maid
By such a Youth, in the green shade,
Were perilous to hear.”
—William Wordsworth (1770–1850)
“[A] Dada exhibition. Another one! What’s the matter with everyone wanting to make a museum piece out of Dada? Dada was a bomb ... can you imagine anyone, around half a century after a bomb explodes, wanting to collect the pieces, sticking it together and displaying it?”
—Max Ernst (1891–1976)