Songs in The Film (in Order of Appearance)
- "Chan Chan" (Francisco Repilado)
- "Silencio" (Rafael Hernandez)
- "Chattanooga Choo Choo" (Harry Warren and Mack Gordon)
- "Dos Gardenias" (Isolina Carillo)
- "Veinte Años" (María Teresa Vera),
- "Y Tu Que Has Hecho?" (Eusebio Delfin),
- "Black Bottom" (Ray Henderson, Lew Brown and B. G. De Sylva)
- "Canto Siboney" (Ernesto Lecuona Casado),
- "El Carretero" (Jose "Guillermo Portabales" Quesada del Castillo)
- "Cienfuegos (tiene su guaguanco)" (Victor Lay)
- "Begin The Beguine" (Cole Porter)
- "Buena Vista Social Club" (Orestes Lopez, inventor of the mambo in 1937)
- "Mandinga" (also known as "Bilongo", Guillermo Rodriguez Fiffe)
- "Candela" (Faustino Oramas),
- "Chanchullo" (Israel "Cachao" Lopez, the father of Cachaito)
- "El Cuarto de Tula" (son/descarga, Sergio Siaba),
- "Guateque Campesino" (Celia Romero "Guateque"),
- "Nuestra Ultima Cita" (Forero Esther)
- "Quizás, Quizás, Quizás" (bolero by Oswaldo Farres).
Read more about this topic: Buena Vista Social Club (film)
Famous quotes containing the words songs, film and/or order:
“Blues are the songs of despair, but gospel songs are the songs of hope.”
—Mahalia Jackson (19111972)
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“Power is not a means, it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship.”
—George Orwell (19031950)