Bud Green - Songs

Songs

Bud Green has written or co-written a number of songs, including:

  • "Alabamy Bound" (Dean Martin on Swingin' Down Yonder, 1955; Bing Crosby on New Tricks, 1957; Ray Charles on The Genius Hits the Road, 1960; Van Morrison on The Skiffle Sessions - Live in Belfast 1998, 2000)
  • "That's My Weakness Now" (Helen Kane, 1928)
  • "I Love My Baby" (Ottilie Patterson, 1957)
  • "Oh Boy, What a Girl"
  • "In My Gondola"
  • "Away Down South in Heaven"
  • "I'll Always Be In Love With You" (Ella Fitzgerald on Rhythm Is My Business, 1962; The Beatles on The Beatles Complete Home Recordings, 1962)
  • "Do Something"
  • "Congratulations"
  • "Good Little, Bad Little You"
  • "My Mother's Evening Prayer"
  • "Simple and Sweet"
  • "Dream Sweetheart"
  • "Moonlight on the River"
  • "Swingy Little Thingy"
  • "Blue Fedora"
  • "More Than Ever"
  • "You Showed Me the Way" (Ella Fitzgerald; Billie Holiday; Tony Bennett on Here's To The Ladies, 1995)
  • "Tia Juana"
  • "Once in a While"
  • "The Man Who Comes Around"
  • "Flat Foot Floogie (with a Floy Floy)" (Mills Brothers and Louis Armstrong; Slam Stewart, 1938)
  • "Sentimental Journey" (Doris Day and Les Brown's band, 1944)
  • "Speed Limit"
  • "Who Can Tell"
  • "All the Days of Our Years"
  • "My Number One Dream Came True" (Doris Day, 1946)
  • "On Account I Love You"
  • Please Don't Talk About Me When I'm Gone (Billie Holiday, Frank Sinatra, Dean Martin)

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Famous quotes containing the word songs:

    “Let me make the superstitions of a nation and I care not who makes its laws or its songs either.”
    —Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    “Heaven has a Sea of Glass on which angels go sliding every afternoon. There are many golden streets, but the principal thoroughfares are Amen Street and Hallelujah Avenue, which intersect in front of the Throne. These streets play tunes when walked on, and all shoes have songs in them.”
    —For the State of Florida, U.S. public relief program (1935-1943)

    “When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
    —Julius K. Nyerere (b. 1922)