Background
According to promotional material supplied with the release of mutilation makes identification difficult, "they had the stupid name before the stupid O.J. stuff."
They released one album on Interscope Records and a few 7" singles on smaller record labels (including Alternative Tentacles). The band toured extensively throughout the 1990s, opening for bands such as Toadies and Gwar. Brutal Juice also toured with Neurosis, Ed Hall, Baboon, Alice Donut and The Meatmen.
Wesley Willis wrote a song about Brutal Juice after seeing them perform in New York City. It appears on his album Fabian Road Warrior.
Bassist Sam McCall recorded the band's early demos prior to joining the group. Vocalist Craig Welch was known for his on-stage antics, often standing on his head and putting out cigarettes on his tongue or forehead during the band's performances. This habit led to his next band taking the name "International Sparkdome."
All of Brutal Juice's songs are published by "Homus Boyus Productions."
Brutal Juice had a habit of writing songs that incorporated their album titles, on the band's next release. Even their earliest recordings employed this: "How Tasty Was My Little Timmy?" is a line from the song "Cannibal Holocaust," which appears on the next recording released by the band. Similarly, "I Love the Way They Scream When They Die" is a line from "Burpgun," which appears the release that followed it. Likewise, "mutilation makes identification difficult" is a lyric from "Bound For Glory" which first appeared on a single that was released a year after the album with that title.
The most recent activity of Brutal Juice was four shows in early June, 2009 in Texas.
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“... every experience in life enriches one’s background and should teach valuable lessons.”
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—Friedrich Nietzsche (1844–1900)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)